Monday, January 20, 2025

Making Orifice Hooks and Hanging Cords Using the Kumikreator


Once a year my local woolly/spinning group have a tabletop sale where we all bring in handmade items to show off our making skills and pick up a handmade bargain from our friends.

A few people have admired the little kumihimo cord that I use to attach my orifice hook to my spinning wheel so I thought I’d make a handful of them to sell at our next ‘makers market’ and share how to make them here at the same time.


The orifice hook shown here is the smaller, simpler one that came with my Electric Eel Wheel Nano 2.  I much prefer the delicate size of this one but it does have a tendency to get knocked off the magnets and inevitably lost.  When my number of e-spinners significantly outweighed the number of Nano orifice hooks I could lay my hands on I decided to take action to ensure I would always have an orifice hook on every wheel.

I could have just tied the hook onto my wheel with ribbon but there’s something quite satisfying and slightly recursive about making accessories for my e-spinners out of yarns that have been spun on those same electric spinning wheels.


I have a little bag of ends of precious handspun yarn that I want to use for this project.  The kinds of lengths that are too short to knit anything of substance with, but just long enough to make up a single strand of Kumihimo braid or used to tie a skein of handspun yarn.  Please tell me I’m not the only spinner who can’t bear to throw away even the shortest lengths of handspun yarn…

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As I want to make several orifice hooks and cords, I’ll be making the braid on my Kumikreator.  I picked out the finest gauge yarns from my stash so they were all sport weight (UK baby weight) or below.  The main disadvantage of making kumihimo cords on the Kumikreator is that the bobbins are very small so I will achieve a longer cord with finer yarns.



You don’t need the Kumikreator to make these as all the cords can be made using a regular 8-braid Kumihimo weaving pattern.


Kumihimo on a disc, with its slow, rhythmic, repetitive movements is one of the most mindful and relaxing of hobbies, but it does take a while.  Making one cord on a disc would be satisfying, but I would find making 24 cords very tedious...


If you’re making just one cord, I recommend getting hold of a kumihimo disc, some bobbins, and a kumihimo weight and giving it a go.  It’s very meditative and relaxing. 

(I don't own a kumihimo weight, so, in the image above, I'm using a large metal bearing and a quilting clip.  The 3D printed shape is just there to stop the clip from passing through the hole in the bearing.)


The easiest method I've found of winding the yarn onto the Kumikreator bobbins is to thread it onto a tapered paintbrush end or 6mm knitting needle and then rotate it.  This way you are not adding any twist to your yarns as you wind it on.

To work out how much yarn to add to each bobbin, I picked one of the thicker yarns, wound it on, and then removed it to measure it.


I could get just 110cm of sportweight yarn on a Kumikreator bobbin. I used this first measured yarn to hold against the rest of the yarns, cutting them all to approximately the same length.

As most of the spinning wheels in my craft group are natural wood, I found myself picking out some of the more autumnal hues so that my final cords would all complement the wheels and each other.  Eventually, I wound off 48 lengths of handspun yarn which should be enough to make 6 different cord patterns.

Materials Used to Make an Orifice Hook With a Kumihimo Hanging Cord


Fine Yarn or embroidery thread
Sticky Tape
Needle and thread
Metal cord ends (N.B. These are listed as 4mm OD, which is the outer diameter of the barrel.  My embroidery thread cords were about 3mm thick and only just fitted.)

Kumihimo Cords Using Hand-Spun Yarn



I loaded the Kumikreator in the usual way, securing the yarn ends under the white tab and rotating the bobbins until all of the yarns were under tension.  


This animated gif shows the movement of the bobbins in real time.  It really is quite captivating to see the cord growing right in front of you!


Once the spring-loaded arm had fully extended, I removed the yarn ends from the white tab and taped the ends together.  I lowered the arm again, attached a quilting clip to hold the cord under tension behind the white tab, and continued winding. (The cords I made were too narrow to be held in place by the necklace-cord-grip on the spring-loaded arm.)


As soon as one of the bobbins ran out, I pulled the rest of the yarns off the bobbins and taped them together to prevent them from unraveling.


Here’s a close-up of all 6 handspun cords.  


There are very subtle differences between the cords as I varied the colour placement with each one, but from a distance, they’re all quite neutral and autumnal.


To allow me to cut the braid in half, I stitched through the cord several times, right at the point where the yarns start to form a cord.  I then wrapped the thread tightly around the cord for a few mm and then secured the thread again with 3 small stitches on top of each other.  I repeated this in the very centre of the braid and again at the opposite end.


I applied epoxy glue all the way around the sewing thread sections.  Once this was completely set, I could cut through the glued section of the cord with a pair of heavy-duty scissors.


My 12 hand spun braids came out at about 28cm long.


Kumihimo Cords Using Embroidery Thread



Having made cords that were overwhelmingly brown, I really wanted to have a go at making some more colourful ones too.  I dug out some embroidery floss and filled the now-empty Kumikreator bobbins with a selection of pretty cotton colours.  As the embroidery flosses are finer than my handspun yarn I should be able to get three orifice hook cords from one loading of the Kumikreator, as opposed to the two cords I got from my handspun yarn.


Unfortunately, 3 of the cords had a fault that I can only assume was a tension issue caused by an error in my bobbin winding.  The Kumikreator warns against using your own cords, probably because they sell their own filled bobbins, but maybe also for this reason.  I can still get two orifice hook leashes from either side of the fault so it’s not wasted but I thought I would share this image to show what can happen if just one of the bobbins isn’t perfectly wound.


After losses, I managed to make 17 embroidery floss cords that were about 29cm long.

Attaching the Cord Ends



I bought some of these 4mm cord ends from Amazon to enable me to attach the orifice hook and jewellery findings to the Kumihimo cords.  They fit really well onto the embroidery floss cords but the holes turned out to be too small for most of my hand spun wool cords.


I already had a couple of these sets of Tibetan silver cord ends.  They’re really pretty if you’re not sure what size of cord end you will need, but they work out very expensive and wasteful if you only ever want to use one size of cord end.  I’ll be using the very smallest cord ends from these sets to finish the thicker wool cords.


To attach the cord end I mixed some 2 part epoxy and dipped the very end of the cord into it, wiping it down on some waste paper so that the glue wasn’t too thick.


It is then just a matter of inserting the cord into the cord end, rotating it slightly and pushing it in well to ensure that the glued cord attaches itself to the inside.


The epoxy glue that I use has a handling time of 30 minutes and states that it cures in another 30 minutes.  I tend to leave mine overnight before I move it just to be on the safe side as it’s usually still a little tacky after a couple of hours.

Making Orifice Hooks



I bought a pack of 25 x 40cm lengths of 0.8mm stainless steel spring wire to make the orifice hooks.  (Annoyingly it was cheaper to buy 25 wires from China than just a few from the UK, which is the main reason I ended up making dozens of orifice hooks rather than just a handful.)

Please note, that this wire is only slightly ferromagnetic.  I wouldn't recommend this for orifice hooks if you only want it to attach to the magnets on the Nano without a cord.


Stainless steel spring wire is much harder than regular 0.8mm jewellery wire so I needed to use my memory wire cutters to cut the wires into 10cm lengths.


Bending the wire into a loop to attach it to the cord is the most difficult part of this whole process.  The spring wire is so hard and rigid that it takes quite a bit of grip to bend it into a fully closed loop.

After a while, I found that the best technique for keeping a firm hold on the wire was to concentrate on keeping the wire in a tight grip while rotating and bending the wire around the pliers with my other hand.


It took quite a bit of practice to work out how far down my round-nosed pliers I needed to grip the wire and how many mms of wire to leave before turning for the orifice hook end. I wanted the hook to be large enough to handle thicker singles but not so large that it wouldn’t fit through the smaller hole in my orifice reducer.


It took me a few failed attempts until I made orifice hooks that I was happy with so I was very glad to have bought extras!

Joining it all together



To turn it all into an orifice hook and cord that would hang off my e-spinner I just needed to add a couple of jump rings.

I already had some 4mm silver plated jump rings to attach the cord to the orifice hook but I bought some 12mm jump rings to attach to the other end.  I recommend going for jump rings that are larger than 4mm to attach the orifice hook as I found this size quite fiddly.  A 6mm jump ring would have been much better.


If you’ve never attached jump rings before, the best way to avoid distortion is to open them to the side using pliers, thread everything onto the jump ring, and then slide it back into position.


One completed orifice hook with an attached cable!


Here are the hand spun cords.  They're much more reserved and will probably complement the kinds of colours I prefer to spin.


Having said that, I love the pretty colours in the embroidery floss cords! These may well be my favourites.

I might have got a little carried away... as usual!  


I doubt very much that I’ll manage to sell all of these at our next Woolly Day, but at the very least, I’ll now be able to ensure that my orifice hook cord will always match the fibre I’m spinning.

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Thank you for reading, and happy spinning!

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Friday, October 25, 2024

Questionable Blend number 10 - Hawaiian Dreams


I’m writing a blog series this year, sharing several different ways of spinning commercially available, multicoloured blended tops. I’ve tried to choose blends that contain colours from more than half of the colour wheel.  The kinds of blends that are a little tricky to guess immediately how they’ll spin up.

I’ll be using the word questionable to describe any blend that would cast doubt in the mind of even the most experienced spinner. A blend that would cause you to pause before ordering it and question how it might turn out.  

Novice spinners are regularly attracted to the bold, multi-coloured stripes of a vertically blended top, but are frequently left disappointed when their beautiful combed top turns to mud on the wheel.  In this series, I’ll be sharing several techniques that can help reduce the amount of optical blending during spinning, so that some of those original colours still show up in the final yarn.  By the end, the tops will almost certainly not be questionable.

Hawaiian Dreams by Lee


Unfortunately, this blend was a 2023 World of Wool Team Member special, so it is now discontinued.  As of October 2024, it is still available at a discounted price, and the remaining stock can be found here.

If you particularly love this blend but it's no longer available, you could still ask World of Wool to build this blend for you using their custom blend maker service.

Images of Hawaiian Dreams - Reproduced by kind permission of World of Wool

The images of Hawaiian Dreams on the World of Wool website are both fairly good representations of the colours within it but it’s a little less dark and moody in real life.

Images reproduced by kind permission of World of Wool

Above are the colours of the merino fibres within Hawaiian Dreams.

My photograph of Hawaiian Dreams with the top opened up

I feel like the amount of yellow within this blend isn’t properly illustrated on the World of Wool website.  By photographing the top tightly wound like this, it’s easy for the outer colours to hide away some of the inner hues.

I originally chose Hawaiian Dreams as I was drawn to the beautiful purples within it and intrigued by how these would play against the yellow.  I could also see that it contained some quite saturated almost primary colours which should make for some exciting optical blends.


I arranged all the yarns from the blends in this series, into a kind of muted gradient and I’ll be spinning them in this order.  They have all been spun with no attention paid to colour management, they’ve simply been pre-drafted, spun, and then chain-plied. 

I'm really looking forward to spinning this one.  The colours aren’t overly blended and it contains bright colours from all the way around the colour wheel - this should be a fun spin!


To begin with, I spun 8g of Hawaiian Dreams to see how it looks when I allow the colours to freely mix together during spinning.  I just drafted it out and then spun it from the tips.  I then chain-plied it at the wheel to achieve a 3-ply yarn.  

The resulting yarn is a very pretty tonal purple.  It always pleases me when the colours blend together into a hue that I would happily wear.  It makes me hopeful that however I decide to spin it, I’m unlikely to be disappointed.


From a distance, the colours optically blend into a dull purple but when you take a closer look you can still see pops of bright colours from all the way around the colour wheel.


Most of the yarns in this series will be spun on my Electric Eel Wheel 6 - This is an affiliate link and if you click through and make a purchase I may receive a small percentage of the purchase price at no additional cost to you. Any income from my blog goes a small way toward funding future blog projects.


Spinning Hawaiian Dreams 4 Different Ways


Spinning from the Fold



I'm spinning all of the yarns in this series from the fold as this is one of the most popular ways of trying to keep the colours in a multicoloured top a little bit separate.


To prepare my fibre for spinning from the fold, I grasp the full width of the top at the very tips and just pull.  This allows me to spin from just a little over a staple length of fibre.


I'm still practicing my long-draw technique and I'm really noticing the difference between spinning 100% merino and the Corriedale blend that I spun last month.  The latter drafted from the fold much more easily - but I still prefer merino for its neck-soft qualities.


The single has relatively short lengths of bright colours.


When it’s chain plied, those short lengths of colour give me a heavily marled yarn.  It has a tweedy look to it but, on closer inspection, it's a riot of multicoloured pops of colour...


From a distance, the final knitted fabric optically blends into a mostly purple with splashes of yellow, green and orange to add surface interest.  It's very pretty.

Splitting the Top Vertically 



This is one of the simplest and most popular methods of avoiding the colours mixing together in a vertical blend. It's really effective and requires no special tools.


I first open the top up so that the colours mostly sit next to each other rather than on top of each other.


Then I tear strips off the side, trying to avoid colour combinations that will mix together into brown.  Pleasingly, Hawaiian Dreams is one of the less blended tops so my strips are still a nice thickness to spin from.


I then set about arranging my little nests of fibre into a kind of spectrum order.


This time, I decided to switch things up a little to give me some contrast between the different colour selections.  I split my spectrum in half and then alternated the second half of the spectrum with the first half of the spectrum.  Hopefully, the image above gives you a clearer visual illustration of how I organised my fibre.


At this point, I was starting to regret my decision not to just spin the nests of fibre in spectrum order...


Chain-plying gave me quite a contrasting yarn with some very distinct colour changes.


I think it may have been a mistake to take such a laissez-faire approach to the order that I spun my nests of fibre.  The colours in the first square are tonally similar, while the colours in the 3rd square are clashing with each other.  It might be an interesting approach to take if I was dividing up a less contrasting blend but I would definitely take a more considered approach if I were to spin this again.

Rolags on a Blending Board



This is one of my favourite methods of preparing a vertically blended top as it gives an interesting level of colour variation without being too bold or stripey.

This time I just broke off two lengths of top that were the length of my blending board, opened them up and then brushed them down.


I went on to draft off 3 relatively thin rolags from my blending board.  I find thinner rolags are easier to spin from without needing to be pre-drafted and they usually result in more distinct colour sections.



The single looks quite similar to the one spun from the fold but the colour sections are slightly longer.


The final chain-plied yarn has a little less barber poling than the one spun from the fold and the colours are slightly brighter, but it’s quite similar.


When it’s knitted up, the individual colours stand out a little more making quite busy for my reserved self.  I don’t think I would want a whole sweater in this but I’d love to see it woven into a scarf or as a linen stitch cowl.  That could be very pretty…

Intentional Optical Blending on a Blending Board



For my final yarn, I wanted to create a yarn that not only showed off the beautiful combination of colours within Hawaiian Dreams but also demonstrated some of the prettier optical blends that could be possible if I separated the colours out intentionally.

As a caveat, I should say that this is a very labour-intensive technique, and I would never buy a multicoloured top with the sole intention of separating out all the colours, but it is an interesting colour experiment to carry out when I have just 22 grams of multicoloured fibre to play with.

Intentional optical blending on a blending board is a technique I came up with last year and it's just a simple way of planning and mapping out the colour arrangements on a blending board so that colours overlap pleasingly to mix together into clean secondary or tertiary spectrum colours rather than blending together into brown or grey.


There is a lot of yellow in Hawaiian Dreams and, as it's my least favourite colour, I wanted to place this centrally on my blending board so that I could get it to mix with both the raspberry pink and the spearmint blue on either side.  Placing the yellow colours centrally helped to dictate where the other colours fell on the blending board as they were simply placed in spectrum order to avoid any brown/grey combinations.


I printed out this colour template and taped it to the top of my blending board to help guide where I placed the colours.  However, when I came to loading the coloured strips of fibre, I realised that the spearmint section was too long, and the violet section was too short.  Serendipitously, it meant that I needed to start adding violet fibres onto the far end of the spearmint section which optically blended together into a pretty blue colour.  I do love a happy accident!


I broke my top up into 3 lengths that were just a bit longer than my blending board.  I then opened them up to make it easier to see the individual colours within the top.


I then tore off strips of the separate colours within Hawaiian Dreams and placed the fibre in the corresponding labelled sections of my blending board.  Once I’d worked through a single section of top, I brushed it all down and started again.


Here’s my blending board after I separated out the third section of top.  I then brushed it all firmly down again.  

Hopefully you can see that I wasn’t overly strict about avoiding placing thin sections of colour in the wrong sections but it all adds to the complexity.


Having made a rainbow batt, it seemed a shame not to get as much length out of the colours as possible, so I removed the whole thing from my blending board….


…I then zig-zag split the batt into thin sections, trying to separate it at points that would give me further optical blends.


I drafted the whole thing out, concentrating on those turned corners to try to get all the fibres facing in the same direction as much as possible.



Spinning rainbow singles is so much fun!


And the resulting chain-plied yarn is strikingly colourful, while still having the complexity of yarn made up of optically blended colours.


As I only had 22g to work with, this rainbow yarn is only really suited to the narrowest of garments.  If I had larger quantities of each colour, I can see how I could split the rainbow over several blending board batts to create a much more usable rainbow yarn…  maybe that’s yet another project for another day!


I do love a colourful spin and it’s very satisfying when I can clearly see the difference between the 4 yarns.

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